Throughout the story I try to keep the robber in the dark making him hard to see, as seen here by making him a silhouette by putting light behind him. This is because both characters are played by me and to darken his face is to conceal the identity until the end.
I really like the abstract nature of the light, primarily because it is made up of paint stain and splatter marks but it work amazingly with the lens flare and complements it well.
I had to alter the lighting on both characters, darkening the cops back and brightening the front of him whereas the robber I had to darken his front and face considerably as he is facing away from the light.
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